They rose like ashes. Celebrations. Questions. Analyses.
I spent my Sunday reacquainting myself with the ghosts of self-awareness and intelligence. And by day’s end it felt as if, for a moment, raw emotion’s mouth was shut while grown folks and beautiful children had conversation.
Two events took place this past Sunday. They were not connected, but they both struck nerves. The first, an early afternoon launch of “The Pretty Brown Girl Movement,” was huge. The second, a late afternoon “Book Talk” on Surrendered: The Rise, Fall & Revelation of Kwame Kilpatrick, which I co-authored with the former Detroit mayor, was intimate. I’d like to tell you about them, and what my critical takeaways were from each.
Critical Imagery
Two dear friends, Sheri and Corey Crawley, inspired by their daughters Laila and Aliya, six and five years old respectively, organized it. The event, held at the Charles H. Wright Museum of African-American History in Detroit, was put on to remind young girls and women of color of how beautiful they are. Despite negative images perpetuated in the media, on reality and scripted television, and in film, black and brown women are gorgeous. I know this, I’ve got one at home. They’re the only women in the world fine enough to move entire industries to create dumb mimics like collagen injections and booty implants, things that women of color rock naturally. No disrespect to other women but, as my sister jessica Care moore says, black women rock! Sheri is one of many who saw the need for little black and brown girls to have said beauty reinforced from the cradle, and decided to articulate a movement.
More than 350 people turned out for the Pretty Brown Girl launch, which was organized in less than a month. Mothers, fathers, daughters, and a few sons, filled the room. They came in every hue the diaspora has to offer. They honored incredible talents like Amaya Alexander, the young student whose mother turned a bus into a dance studio that grabbed the nation’s attention. Good Morning America was among the several national news outlets to recognize her as what Crawley coined a Pretty Brown Girl. Crawley also announced a “princess party” to be thrown for Saniya (last name omitted at the family’s request), the young girl who had to suffer the indignity of a recent racial incident in Livonia Michigan. All of these people felt the need to embrace the most beautiful aspects of African America, so much so that the Museum’s Multi-purpose room reached the fire marshall’s seating limit. Little girls enjoyed face-painting, photographs, complimentary ice cream, cupcakes and cake-pops. And they collectively recited a Pretty Brown Girl Pledge, a captivating declaration of self-worth, beauty and ability.
It was a moment we needed. It reminded us of who we are, and whose we are. Blackness felt cool again.
Critical Convo
I left the event a little early to head to the African World Festival, where the “Book Talk” was scheduled to take place. Shout out to Njia Kai and the AWF team for reaching out and organizing the session at the last minute, and for finding a comfortable space to squeeze us into an already-full schedule. All things considered, I was humbled that people responded. They filled seats and sat on the floor of the Hart Plaza Gallery to ask questions about the book. As the featured speaker positioned to answer the inquiries, I admit to feeling a little uneasy at the start. Kwame Kilpatrick’s story still evokes emotion and, though I hoped for an intelligent and honest discussion, I expected the unexpected.
What I got, thought, were some of the most intelligent questions asked to-date about Kilpatrick’s saga.
Quick caveat: I try not to steer or direct people’s emotions or reactions when discussing Kwame Kilpatrick. Every Detroiter and Metro Detroiter has a right to their individual perspective, but critical usually tempers any outrageous sentiment. So I usually ask during my talks that people simply engage the process of discussion, not enrage it. The Kilpatrick story is an historic case study that can trigger conversation about Detroit’s evolution, concepts of Groupthink, bias and ethics in journalism, and capitalism. I’ve long felt that, if people can discuss their Kilpatrick-isms in those contexts, they’ll benefit more. It’s when we devolve into emotional discussions that we dumb ourselves down.
The group in the Gallery wanted a real talk, and their discussion topics impressed me: the psychological impact of imprisonment, the tone and intent of media scrutiny; growth and maturity in the aftermath of public humiliation, the responsibility to make amends to a constituency; metro Detroit’s history of racism and regionalism; even my responsibility as a writer, though married to a member of the Kilpatrick family. All points were fair game. Ayanna Ferguson, Kwame’s sister, was also present.
I’ll count it growth if similar discussions take place moving forward. It’s time to move from the emotion, and into the sociology of the Kilpatrick era. Intelligent discussion is crucial to helping people get back to taking healthy approaches to divisive topics. I have faith that people can do it.
One Sunday. I witnessed a celebration of a people’s outer beauty, followed by a community’s smart take on an American epic. On Monday, I woke up feeling smarter. I then looked at my wife, and kissed my Pretty Brown Girl. Now that was a weekend.
Think. Create. Compel.